What a strange list. Many books I'd never expect to be listed, others I'd expect to be listed are missing. So I looked up the background and indeed it's based on strange methodology, citing wikipedia: "Starting from a preliminary list of 200 titles created by bookshops and journalists, 17,000 French participants responded to the question, "Which books have stuck in your mind?" (Quels livres sont restés dans votre mémoire?"
> Many books I'd never expect to be listed, others I'd expect to be listed are missing
Most of them make sense to me. I don’t know some of them but then I don’t know everything. The methodology can be discussed (and indeed, a pre-selection of 200 books is at the same time a lot and not that much), but none of these lists can be perfect.
Out of curiosity, which one would you remove from the list, and which ones would you add?
When reading "Books of the Century" I expected a list of the most important, most influential or just best books. Skewed towards the french perspective, given Le Monde as a source. But this was never the goal, just a "what stuck in your mind" question.
For example, 1984 is missing, and Louis Begley Wartime Lies. And I wouldn't have expected Ulysses in there given the french source, for me it was incomprehensible gibberish and I thought only the US ranks it high. But that gibberishness makes it certainly memorable, so given the question it fits.
Ulysses was first published in Paris during the 20 years that Joyce lived there.
>I thought only the US ranks it high
Joyce never even set foot in the United States... You could say this about The Great Gatsby, which US sources might rank in the top 5 compared to 46 in this list.
Right, Great Gatsby is another book one could highlight, where it's surprising that it is on the (french) list, while it would be on an US list. But I haven't read it, I do not know whether it is a good example for the difference between a good or important book and a memorable one.
James Joyce wearing his bottle bottom glasses (thick glasses) would like to have a word with you. You can call him genius, dirty, knowledgeable in many languages but certainly not gibberish. He used to hold long book club style readings of his books among the prominent literateur in his times to exactly impinge in their minds that what he writes is clever and not gibberish. In our book club we often discuss for hours what he was trying to say on a page. Sometimes he says things in 3 different dimensions by writing a single sentence.
> He used to hold long book club style readings of his books among the prominent literateur in his times to exactly impinge in their minds that what he writes is clever and not gibberish.
My was so clever, that he had to verbally harangue people into finding his writing clever.
Ulysses was written in Paris, where James Joyce lived, and was published in Paris by the now legendary Shakespeare & Co. The US and UK banned it for being obscene.
When I don't know, I ask and don't judge (and lacking omniscience, I don't judge anyway).
It's completely irrelevant where it was written, where it was published and where it was banned, I'm talking about how it is seen today. It is possible I am getting this wrong -certainly possible, since I'm taking this impression from English speaking sites like this, that I attribute to the US what should be attributed to England -, but I have seen no argument so far that even strives the point I made.
Starting with only 200 titles in the survey, for a final list of 100, seems off to me for starters. Every book surveyed has a 50% chance of making “book of the century”
The Stranger at #1 sort of tells me everything I need to know about the list. It's a fine book, and I ended up liking it a lot more when I went back and re-read it in French many years later, but #1 of the 20th century. Yeah, not even close.
I know this is primarily a Francophone list, but not having Toni Morrison or Cormac McCarthy or so many of the great Latin American authors on it makes me wonder how much makes it into French via translation.
This is one of the criticisms[0] of at least some Great Books curricula. The skew tends too strongly towards the Anglo-American and the “canon” is too rigidly held.
What would be interesting is to cross reference this list with an Anglophone one and pull out the writers that are big in France but almost unknown amongst the public in America. Céline is definitely one such example, I think.